A confetti exit with 160 people throwing at once, a groom lifted on shoulders by nine o'clock, and a sneak peek delivered before the honeymoon started.
Delivered
800 edited photos
10 hours of coverage
Sneak peek in 3 days
Confetti exit
★★★★★
“The confetti shot is framed above our bed. Mara got us a sneak peek before we left for our honeymoon, which felt like magic.”
Olivia Brennan · Olivia & Sam · Coombe Yarra Valley
Pinned
Ava & Finn
Elopement · The Quiraing · 2026
3
photos
3
delivered
Two days, two people, one very windy ridge. We scouted the light the night before and walked out at dawn for vows with nobody else in sight.
Delivered
320 edited photos
Location scouting
Two-day coverage
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★★★★★
“We eloped to Skye and Mara planned it like a small expedition. The photos look like a film and it felt like an adventure with a friend.”
Ava Collins · Ava & Finn · The Quiraing
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Priya & Callum
Wedding · Rippon Lea Estate · 2026
210
strong crowd
4
photos
3
delivered
An evening garden reception with petals falling in the dark, a bouquet toss with actual sprinting, and a dance floor that never emptied. Flash on the floor, film-look in the garden.
Delivered
1,050 edited photos
Night reception coverage
Online gallery
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★★★★★
“The petal photos at night look like a film still. Mara somehow was everywhere and nowhere all night. Our guests keep asking who she is.”
Priya Nair · Priya & Callum · Rippon Lea Estate
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Sienna & Josh
Wedding · Abbotsford Convent · 2025
150
strong crowd
5
photos
3
delivered
A convent courtyard, a petal exit that turned into a full petal war, and a groom who danced like nobody was watching. I shot from getting ready to the last song and stayed out of the way everywhere in between.
Delivered
780 edited photos
Online gallery
Sneak peek in 3 days
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★★★★★
“Mara caught moments we didn't even know happened. The photo of Josh's face when I walked out still makes my mum cry. We had our sneak peek three days later and the full gallery in two weeks.”
I photograph weddings the way your best friend would if they happened to be very good with a camera.
No stiff line-ups, no directing every moment: I stay close, stay quiet, and catch the confetti fights, the speeches that go off script and the dance floor at 11pm.
Eleven years in, around 240 weddings, and I still get nervous in the good way before every ceremony. Galleries land in two to three weeks, with a sneak peek in the first few days.
Qualifications
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Rating from 7 clients
5.0★
Shoots documented
9
Pro worked alongside
1
Guests at the jobs
1,270
What's the occasion?
Tell Mara Ellison the date, the place and roughly how many people. Enquiries come straight to Mara Ellison, and Reputo does not sit in the middle of the booking or take a cut of it.
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